09:15 - 10:00 |
Benny Davidovitch: How viscous bubbles collapse: geometrically-nonlinear Stokes flow in 2D ↓ Large floating viscous bubbles whose interior gas is rapidly depressurized exhibit a remarkable dynamics, characterized by a periodic pattern of radial wrinkles that permeate the liquid film in the course of its flattening. This instability was discovered in 1998 by Debregeas et al. [1] and has been attributed to the joint effect of gravity and the expansion of a circular rupture [2]. However, a recent experiment by Oratis et al. [3] demonstrated that the instability appears even in the absence of gravity or rupture, indicating a mechanism dominated solely by viscous and capillary forces.
Motivated by these experiments we address Stokes flow in a curved film of a non-inertial incompressible liquid with free surfaces, generated by temporal variation of the Gaussian curvature R [4]. Notwithstanding the close analogy between the Newtonian hydrodynamics of viscous liquids and the Hookean elasticity of solids, often called “Stokes-Rayleigh analogy”, the fact that stress in
viscous films is generated by the rate-of-change dtR, rather than by R itself as is the case for elastic sheets, reflects a profound difference between these two branches of non-inertial, yet geometrically nonlinear continuum mechanics. Whereas the rigidity of elastic sheets derives from the existence of a “target” metric, their viscous counterparts are not endowed with a preferred metric. We reveal the
experimental observations of Ref. [3] as a dramatic ramification of this distinction and the consequent emergence of a universal, curvature-driven surface dynamics, imparted by viscous resistance to dtR 6= 0. Specifically, rapidly-depressurized viscous bubbles flatten by forming a radially moving front of highly localized dtR that separate a flat core and a spherically-shapes periphery, and
become wrinkled due to a hoop-compressive stress field at the wake of the propagating front [5].
This novel surface dynamics has close ties to “Jelium physics”, where topological defects spontaneously emerge to screen elastic stress, similarly to dipoles-mediated screening of electrostatic field in conducting media, thereby extending the classic analogy between Wigner crystals, Abrikosov lattice in type-II superconductors, and 2D elasticity of curved crystals, to non-equilibrium 2D viscous
hydrodynamics. A particularly exciting possibility is the emergence of such a universal geometrically nonlinear 2D viscous hydrodynamics in strongly-correlated electronic liquids in 2D crystals.
[1] G. Debregeas, P.G. de Gennes, F. Brochard-Wyart, “The life and death of ”bare” viscous bubbles”, Science 279, 1704-1707 (2000).
[2] R. da Silviera, S. Chaieb, L. Mahadevan, “Rippling instability of a collapsing bubble”, Science 287, 1468-1471 (2000).
[3] A.T. Oratis, J.W.M. Bush, H.A. Stone, J. Bird, “A new wrinkle on liquid sheets: Turning the mechanism of viscous bubble collapse upside down”, Science 369, 685 (2020).
[4] P.D. Howell, “Models for thin viscous sheets”, Eur. J. App. Math. 7, 321-343 (1996).
[5] B. Davidovitch and A. Klein, “How viscous bubbles collapse: topological and symmetry breaking instabilities in curvature-driven hydrodynamics” (2022). (Arts Building room 114) |
10:00 - 10:45 |
Anke Lindner: Morphological transitions of flexible filaments transported in viscous flows ↓ Here we present the individual dynamics of flexible and Brownian filaments under shear and compression. We use actin filaments as a model system and observe their dynamics in microfluidic flow geometries using fluorescent labeling techniques and microscopic tracking methods. The experimental results are completed with analytical and numerical modeling based on slender body theory.
Under shear we characterize successive transitions from tumbling to buckling and finally snake turns as a function of an elasto-viscous number, comparing viscous to elastic forces. Under compression we reveal the formation of three dimensional helicoidal structures and explain their formation from linear and weakly nonlinear stability analysis. In more complex, time dependent or mixed flows, as oscillatory shear flows or transport in porous media, filament morphology is modified and buckling instabilities can be suppressed under certain conditions. Pillar arrays can be used to obtain filament separation according to length and flexibility.
Finally, we attempt at linking the microscopic observations to the macroscopic suspension properties with preliminary measurements of the shear viscosity of dilute suspensions of actin filaments in microfluidic rheometers and numerical simulations. (Arts Building room 114) |
11:15 - 12:00 |
Anne Juel: Pattern formation of propagating curved fronts ↓ Viscous fingering in Hele-Shaw channels is a canonical example of diffusion-limited interfacial growth phenomena which exhibits a fascinating range of complex dynamics. An important advantage of this system for understanding pattern formation is that the key system information is encapsulated in the interface. When air displaces a viscous fluid in the narrow gap between two parallel plates forming a channel, the initially flat interface is linearly unstable. The destabilisation of this flat interface is followed by the growth and competition of fingers, resulting eventually in the steady propagation of a single finger, i.e., a curved front. When the curved front is in turn perturbed locally with finite amplitude, many more complex modes of propagation including periodic modes can be observed fleetingly, thus suggesting that they are unstable. In this talk, we show that similar pattern forming modes of front propagation can be harnessed by altering the channel geometry. We further explore the conditions required for tip instabilities of propagating curved fronts to promote complex pattern formation in both rigid and compliant systems and the role of these tip instabilities in the generation of disordered front propagation. (Arts Building room 114) |
20:00 - 20:45 |
Stephen Morris: Art, Outreach and Pattern Formation ↓ For the past several years, I have been transgressing the boundary between art and science. I have repurposed my scientific images of pattern formation experiments and pattern-forming natural phenomena by presenting them as art. I have exhibiting images and videos in art galleries and juried art shows. I have brought artists into my research lab for several hands-on workshops. I am the co-organizer of the "ArtSci Salon", an evening meet-up group at the Fields Institute of Mathematical Science in Toronto. I have released a trove of icicle shape data for free use under the Creative Commons. I have collaborated with sound artists and composers to use pattern formation images and videos as input to their creative processes. All these activities can be viewed equally as art-making or as scientific outreach. I claim that the scientific field of pattern formation has developed a distinct aesthetic sensibility, informed by mathematics and physics, but inherently visual and dynamic. We have our own "scientific folk art", whether we realize it or not. I further claim that this aesthetic motivation is essential for scientific work and that mixing science and art can be effective outreach. It is also a lot of fun! (Arts Building room 114) |